In order to locate the genesis of hte art work, it is important to say
that it has conceived for a group project born in 2006.
Indira Tatiana Cruz installation is exhibited in well inside a church
surrounded by Virgin Mary statue and a top miror. The looping video sets a une mise en abime of feminity. Woman appears as fake sacred image. This simulacrum of feminity, the holy trinity Virgin-sinner-saint, shows the christian cult locked up in his own > > dans le carcan du culte chretien. This is maybe why Indira Tatiana Cruz chooses to go down to well to have a revival of another feminine dimension bound to the source. This feminine symbol also exists since the origins in many others cults. Celts and antic civilisations used sources as prophylactic places, and didnt hesitate to throw
ex votos to obtain a cure. In this fertility area stands the video that Indira Tatiana Cruz makes resonant. Images combine gothic low reliefs in tondo and the round shape of a bosom in lace as if extending to the infinite the circle of life. The round of images reflects in a miror above the well. In order to be transcended, the art work has to find a elevating movement. Hence, interactivity happens when the spectator sees his reflection added to the installation, carrying on the experience inside himself.
